JACQUE, Charles Émile - b. 1813 Paris, d. 1894 Paris - WGA

JACQUE, Charles Émile

(b. 1813 Paris, d. 1894 Paris)

French painter and printmaker. In 1830, following a difficult childhood, Jacque was apprenticed at the age of seventeen to an engraver of maps and learned the technique of dry point. That same year, he produced his first etching, a copy of a head after Rembrandt. Disappointed by his apprenticeship, he enlisted in the army from 1831 to 1836. During his military service he made some sketches and drawings which he later tried to have published and he is reputed to have submitted two works to the Salon of 1833 in Paris.

In 1838, after a two-year stay in London, where he is known to have made some woodcuts illustrating the works of Shakespeare, Jacque returned to France with a solid reputation as a printmaker. He made frequent trips to Burgundy where his parents had settled in 1830; rural landscapes, farm interiors and animals became his favourite subjects.

Although well-known as an engraver, from 1845 Jacque turned more and more to painting. It was at about this period that he discovered Barbizon and its surroundings. Enchanted, he settled there in 1849 with his friend Millet. Painting almost exclusively in the environs of Fontainebleau, Jacque made increasing numbers of animal studies at local farms, and became known for his bucolic subjects, such as henhouses, pigsties and flocks of sheep in pasture.

A Shepherd with His Flock
A Shepherd with His Flock by

A Shepherd with His Flock

Landscape with a Herd
Landscape with a Herd by

Landscape with a Herd

Charles Jacque was a primary and influential member of the Barbizon School. His strong, realistic yet sensitive depiction of shepherds and their flocks form one of the most cohesive and important bodies of work produced by the movement.

On the Pasture
On the Pasture by
Rooster and Hens
Rooster and Hens by

Rooster and Hens

Shepherdess and Sheep at the Edge of the Forest
Shepherdess and Sheep at the Edge of the Forest by

Shepherdess and Sheep at the Edge of the Forest

During the 1840s, Charles �mile Jacque and his friend, Jean-Francois Millet moved to the village of Barbizon where they felt they could more realistically portray nature. Jacque bought a house there and, influenced by Diaz’s technique and Millet’s themes, found his inspiration in hen-houses, pigsties and flocks of sheep at pasture. His strong, realistic, yet sensitive depictions of shepherds and their flocks form one of the most cohesive and important bodies of work produced by the Barbizon movement.

Feedback