KORNHÄUSEL, Josef Georg - b. 1782 Wien, d. 1860 Wien - WGA

KORNHÄUSEL, Josef Georg

(b. 1782 Wien, d. 1860 Wien)

Austrian architect. He primarily employed the contemporary style of Neoclassical architecture, moving to the Biedermeier style in his later oeuvre.

In Vienna, Kornhäusel was neither an architect of the court, nor was he otherwise graced with an official commission. His clients were members of the aristocracy, religious congregations and the aspiring bourgeoisie. Today, his tenements buildings are the clearest evidence of Vienna’s growth prior to the construction of the Ringstrasse. They are an impressive synthesis of compact masses with flat wall surfaces and monumental Neoclassical elements - though it is his interiors that create the most striking impressions. He made up for the restraint in the design of his façades by lavishly furnishing his interiors.

Kornhäusel was court architect to Johann I Joseph, Prince of Liechtenstein, for whom he had built palaces, theaters and garden pavilions.

Interior view
Interior view by

Interior view

Whether it was the synagogue in the Seitenstettengasse, or the music room and ballroom in the palace of Duke Albrecht von Sachsen-Teschen – remodeled for Archduke Karl and today the Study Hall of the Albertina - Kornhäusel invariably showed a playful treatment of monumental columns and pilasters, coffered ceilings, barrel vaults, calottes, fitted galleries as well as a skilful use of light - elements which seem to go against the grain of his understated fa�ades. It is Kornhäusel’s interiors that, above all, challenge the faceless fa�ades of the first decades of the 19th century.

The photo shows the former ballroom and music room in the palace of Duke Albrecht von Sachsen-Teschen - remodeled for Archduke Karl and today the Study Hall of the Albertina.

Interior view
Interior view by

Interior view

Whether it was the synagogue in the Seitenstettengasse, or the music room and ballroom in the palace of Duke Albrecht von Sachsen-Teschen - remodeled for Archduke Karl and today the Study Hall of the Albertina - Kornhäusel invariably showed a playful treatment of monumental columns and pilasters, coffered ceilings, barrel vaults, calottes, fitted galleries as well as a skilful use of light - elements which seem to go against the grain of his understated fa�ades. It is Kornhäusel’s interiors that, above all, challenge the faceless fa�ades of the first decades of the 19th century.

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