ADRIAENSSEN, Alexander - b. 1587 Antwerpen, d. 1661 Antwerpen - WGA

ADRIAENSSEN, Alexander

(b. 1587 Antwerpen, d. 1661 Antwerpen)

Flemish painter. He was the son of the composer Emanuel Adriaenssen and brother to the painters Vincent Adriaenssen (1595-1675) and Niclaes Adriaenssen (1598-16489). In 1597 he was apprenticed to Artus van Laeck (d 1616) and in 1610 became a master in the painters’ guild. In 1632 he took on Philips Milcx as apprentice, and in 1635 he painted the coats of arms of the 17 provinces on the triumphal arches in honour of the new governor. Adriaenssen’s many signed and often dated oil paintings on wood and canvas are all still-lifes, mainly of food on tables with copper- and tinware, glass and pottery (e.g. Still-life with Fish, 1660; Amsterdam, Rijksmuseum). There are four paintings of vases of flowers, but vases of flowers, as well as single flowers on the table, also appear in other still-life combinations. Only two canvases are known in which he worked with figure painters: a garland of flowers around a painting of the Holy Family (private collection) by Simon de Vos and a porcelain bowl of fruit beside a Virgin and Child (private collection) attributed to a follower of Rubens.

His compositions are graceful and balanced but somewhat stereotyped, and they are bathed in a soft chiaroscuro. Adriaenssen depicted with great skill the moist waxiness of fish and oysters, the luminous transparency of drops of water and glasses filled with liquid, as well as crisp, juicy fruit, downy feathers and velvety fur.

Fish and Dead Game
Fish and Dead Game by

Fish and Dead Game

Still-Life
Still-Life by

Still-Life

The painting shows a still-life with a platter of crabs and shrimp, a glass jug of flowers, a Roemer and a long-stemmed tazza of wine, an earthenware jug, a loaf of bread, a bunch of grapes and a half-peeled lemon.

All of Adriaenssen’s known works are still-lifes, a number of which are dated and prominently signed with his full name. His compositions are well balanced, suffused with soft chiaroscuro, with the textures of surfaces skillfully and convincingly reproduced.

The painting is signed and dated on the table, lower left: Alex. Adriaenssen fecit Ao 1646.

Still-Life with Fish
Still-Life with Fish by

Still-Life with Fish

The style of Alexander Adriaenssen, who became a master in Antwerp in 1610, is related to the Haarlem style. He made a number of still-lifes of flowers, but he owes his reputation to his many still-lifes of fish. He depicted with great skill the moist waxiness of fish and oysters.

He seems to have arrived fairly quickly at a well-laid-out scheme to which he adhered for the rest of his life. He has a striking diagonal asymmetric composition, with motifs overlapping one another and arranged over several planes, with a generally sober tonality, even tending to monochrome. In the use of some motifs he seems to have been influenced by Frans Snyders.

Still-Life with Flowers in a Glass Vase
Still-Life with Flowers in a Glass Vase by

Still-Life with Flowers in a Glass Vase

Still-Life with Oysters
Still-Life with Oysters by

Still-Life with Oysters

In this painting the stylistic elements of both the Flemish and the Dutch seventeenth-century painting can be observed. The colour palette is close to that of the Haarlem painters active around 1630.

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