BASAITI, Marco - b. ~1470 Venezia, d. ~1530 ? - WGA

BASAITI, Marco

(b. ~1470 Venezia, d. ~1530 ?)

Italian painter of Albanian origin. He is documented only once, in 1530, when he was recorded in the Mariegola dei Pittori Veneziani (the Venetian painters’ guild) as a painter of figures, but many of his paintings are dated, the earliest in 1496 and the last in 1527. The spelling of his signature varies, and Vasari erroneously believed that two Venetian painters existed, named Marco Bassarini and Marco Bassiti. Ridolfi stated that Basaiti was born in Friuli, while Lanzi asserted that Basaiti was born of Greek parents in Friuli. Babinger convincingly proposed that Basaiti was of Albanian origin; a family of Balkan mercenaries in Venetian pay named Bòzhajt or Bòzhejt was documented in Venice at the beginning of the 16th century. This would explain the variations on Basaiti’s name and also account for his lack of documentation, since Albanian, Greek and Dalmatian communities living in Venice kept to their own laws and usually do not appear in Venetian documents.

He was trained in the circle of Alvise Vivarini, with whom he is sometimes confused. His paintings echo the styles of Antonello da Messina and Giovanni Bellini, and also reveal the influence of Giorgione’s work. Basaiti was very much an artist of the fifteenth century; his figures and his compositions retain a certain rigidity characteristic of that period. Only his later work becomes looser and more luminous.

Call of the Sons of Zebedee
Call of the Sons of Zebedee by

Call of the Sons of Zebedee

This painting from the high altar of the now demolished Carthusian church of Sant’Andrea della Certosa in Venice is noteworthy for its grandiose composition and warm, luminous colours.

Zebedee was a Hebrew fisherman, the husband of Salome, and the father of James and John, two of the Apostles of Jesus. The call of the new apostles is a metaphor for the monastic vocation, a voluntary spiritual incarceration that is also a paradise of peace and contemplation, at least for the Carthusians. The remarkable broad landscape is nonetheless hemmed in by walls and rocks. there are many fishers, of souls and other catches.

Call of the Sons of Zebedee (detail)
Call of the Sons of Zebedee (detail) by

Call of the Sons of Zebedee (detail)

Christ Praying in the Garden
Christ Praying in the Garden by

Christ Praying in the Garden

Marco Basaiti, an admirer of Antonello da Messina and Giovanni Bellini found himself fascinated at the beginning of the sixteenth century by the new artistic manner pioneered by Giorgione. Already in ‘Christ Praying in the Garden’ which adorned the first altar on the right in the Church of San Giobbe and which belonged to the family of Francesco Foscari, the influence of the style of Antonello (visible in the integrity of colour of the figures and the arrangement of saints at the sides of the portico, of the apostles, and of Christ absorbed in prayer) gives way in the landscape to lyrically dreaming passages clearly drawing their spirit from Giorgione. Though this panel may not exactly offer a complete synthesis of the late fifteenth century world with the dazzling innovations of the early years of the sixteenth century, it is nevertheless emblematic of the meeting-point of two of the finest ages of Venetian painting.

The doubt over the date derive from a faded inscription. The represented saints are Louis of Toulouse, Francis, Dominic, and Mark.

Lamentation
Lamentation by
Madonna and Child with a Donor
Madonna and Child with a Donor by

Madonna and Child with a Donor

Madonna with Child
Madonna with Child by

Madonna with Child

Basaiti worked in Venice in the workshop of Giovanni Bellini. However, he favoured stronger colours than his master, as can be seen in Mary’s garments in canonical blue and red. Both the figure of the Mother and the Christ Child are still in the tradition of the Byzantine icon.

Portrait of Doge Agostino Barbarigo
Portrait of Doge Agostino Barbarigo by

Portrait of Doge Agostino Barbarigo

Formerly the painting was attributed to Giovanni Bellini. Since the Doge died in 1501 it can be assumed that the painting was executed after an earlier portrait, perhaps one made by Gentile Bellini.

Portrait of a Man in a Cap
Portrait of a Man in a Cap by

Portrait of a Man in a Cap

The painter was influenced by Alvise Vivarini.

Resurrection of Christ
Resurrection of Christ by

Resurrection of Christ

The composition of this small altarpiece, probably originating in a Venetian church, is derived from Giovanni Bellini’s painting.

St Peter Enthroned and Four Saints
St Peter Enthroned and Four Saints by

St Peter Enthroned and Four Saints

Marco Basaiti’s painting of St Peter on the throne surrounded by four Saints stands on the south wall of Venetian church of San Pietro di Castello.

St Sebastian
St Sebastian by

St Sebastian

The painting shows the influence of Giorgione and Giovanni Bellini.

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