BENVENUTO DI GIOVANNI - b. 1436 Siena, d. ~1518 Siena - WGA

BENVENUTO DI GIOVANNI

(b. 1436 Siena, d. ~1518 Siena)

Italian painter, his full name Benvenuto di Giovanni di Meo del Guasta. He was the son of a bricklayer and lived and worked in or near Siena all his life. He is first recorded working as an artist in 1453 when he was painting in the Siena Baptistery, probably with il Vecchietta, who may have been his teacher. In his early years he was also influenced by Matteo di Giovanni, Francesco di Giorgio and Neroccio de’ Landi. His style changed considerably in the 1480s.

In a tax return of 1465, Benvenuto declared himself to be without property or relations and to be living near the baptistery. The following year he married Jacopa di Tommaso da Cetona with whom he had seven children. They owned a vineyard, and Benvenuto served at least two terms in public office. Among his extant works, nine are signed and dated altarpieces, four are identifiable through documents and many others can be attributed to him on stylistic grounds. Their dates span 43 years, and they include panel paintings, frescoes, manuscripts and designs for the decorative pavement of Siena Cathedral.

His son, Girolamo di Benvenuto was also painter, his pupil and collaborator.

Christ Carrying the Cross
Christ Carrying the Cross by

Christ Carrying the Cross

This panel was probably part of a predella of a larger altarpiece.

Christ in Limbo
Christ in Limbo by

Christ in Limbo

This panel was probably part of a predella of a larger altarpiece.

The Meeting of Jephthah and his Daughter
The Meeting of Jephthah and his Daughter by

The Meeting of Jephthah and his Daughter

Jephthah was a great Old Testament (Judges 11:30-40) warrior, who was called upon to lead the Israelites in their war against the Ammonites. On the eve of the battle he made a pact with God, that, in return for victory, he would sacrifice ‘the first creature that comes out of the door of my house to meet me when I return’. The battle won, ‘who should come out to meet him with tambourines and dances but his daughter, and she only a child’.

The painting, probably part of the furnishing of a domestic interior, shows Jephthah daughter and her maidens stepping forward to welcome him on his arrival. Jephthah, on a black horse, clutches his breast in despair. The soldiers wave olive branches to symbolize the peace that will follow their victory.

The attribution to Benvenuto di Giovanni is debated, various other artists including Pietro di Domenico, Francesco di Giorgio and Girolamo di Benvenuto were also suggested.

The Meeting of Jephthah and his Daughter (detail)
The Meeting of Jephthah and his Daughter (detail) by

The Meeting of Jephthah and his Daughter (detail)

The detail shows Iphis, Jephthah’s only daughter and her maidens stepping forward to welcome him on his arrival. Iphis offers an olive branch to the captive moor, symbolising the peace which follows the victory.

The Resurrection
The Resurrection by

The Resurrection

This panel was probably part of a predella of a larger altarpiece.

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