FETTI, Lucrina - b. ~1590 Roma, d. 1651 Mantova - WGA

FETTI, Lucrina

(b. ~1590 Roma, d. 1651 Mantova)

Italian painter. Born Giustina Fetti, the Mannerist painter took the name Suor Lucrina Fetti upon taking her vows on December 3rd, 1614 at the Franciscan Convent of Sant’Orsola of Mantua. Based upon this date, it is estimated that she was born around 1590.

She spent her childhood in Rome, and learned how to paint from her brother, Domenico Fetti, whom she served as assistant. Lucrina’s father, Pietro Fetti was also a painter.

In 1614, Domenico was invited to Mantua to paint for the Duke Ferdinando Gonzaga. Lucrina moved with him to Mantua, and, once there, the Duke provided Lucrina’s dowry for entry into Sant’Orsola. Arrangements where the dowry for entry into a convent would be waived or paid for by another party were common if the woman showed promise as an artist or had a relative who was a well-known artist.

During her life as a nun, Fetti actively worked in her brother’s studio and painted portraits of women in the Gonzaga family as well as religious works for the convent. Although many of the religious paintings in Sant’Orsola had previously been attributed to Domenico, modern restoration has revealed Fetti’s signature.

Because Fetti would not have had access to the same type of opportunities as her brother to study the human form, her paintings (and especially her portraits) display an emphasis on what she would have been able to study from daily life. Her portraits are strongest in the detailed emphasis given to clothing. While her subjects’ faces are true to life, she tends not to depict the psychology of her sitters. She was active as a painter until her death around 1651.

St Barbara
St Barbara by

St Barbara

This painting was originally located above the left altar of the church in the Clarissan convent of Sant’Orsola in Mantua where Lucrina took her vow in 1614.

St Margaret
St Margaret by

St Margaret

Part of the legend of St Margaret states that the martyr was tempted by a dragon, which then devoured her. However, the maiden ripped her way out of its belly with a cross. Unhurt by the experience, this assured her a position as protector of women in childbirth.

In this painting, which was executed with the contribution of Domenico Fetti, the artist’s brother, St Margaret is depicted with leg bent as she crushes the head of a dragon with her graceful bare foot. The cross is shown in her right hand.

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