GRAFF, Anton - b. 1736 Winterthur, d. 1813 Dresden - WGA

GRAFF, Anton

(b. 1736 Winterthur, d. 1813 Dresden)

Graff, born in Switzerland, was the leading German portrait painter of the 18th century. He was a younger contemporary of Reynolds, with whom he is often compared but Graff really belongs to a later generation, since most of his portraits lack the trappings of the Grand Style, and he worked almost into the Biedermeier period.

He was in Augsburg by 1756 and removed to Dresden in 1766 to teach at the newly founded Academy. He recorded himself as having painted some 1,240 portraits in his long career and his sitters included many of the most famous of his contemporaries - Lessing, Herder, Schiller (whom he records as having fidgeted the whole time). He also made some 322 portrait drawings in silver point, a very rare technique in the 18th century. Some fragments of an autobiography were posthumously published in Zurich in 1815. There are pictures in many German museums, including Berlin, Dresden, Leipzig.

Heinrich XIII, Graf Reuss
Heinrich XIII, Graf Reuss by

Heinrich XIII, Graf Reuss

The Reuss family named every male born within it “Heinrich” for centuries. The “Elder Line”, the Grafen Reuss zu Greiz, Untergreiz, und Obergreiz, were elevated to princely status in 1778. The sitter of this portrait, Heinrich XIII (1747-1817) belonged to the Elder Line.

Portrait of George Leopold de Gogul
Portrait of George Leopold de Gogul by

Portrait of George Leopold de Gogul

Portrait of the Daughters of Johann Julius von Vieth und Glossenau
Portrait of the Daughters of Johann Julius von Vieth und Glossenau by

Portrait of the Daughters of Johann Julius von Vieth und Glossenau

The sitters of this group portrait were the daughters of Johann Julius von Vieth und Glossenau (1713-1784), the Saxon courtier and counselor who was, amongst other positions, the Master of Ceremonies at the Court in Dresden. The daughters are Juliane Caroline, Edle von der Planitz (1752-1832), Sophie Juliane Elisabeth, Gräfin d’Agrollo (1748-1832) and Juliane Charlotte, Gräfin von Todtleben (1754-1840).

Most of Graff’s work consisted of portraits of the aristocracy and newly enriched professional classes of Saxony and Prussia, and his work forms an invaluable pictorial record of that group.

Portrait of the Painter Daniel Nikolaus Chodowiecki
Portrait of the Painter Daniel Nikolaus Chodowiecki by

Portrait of the Painter Daniel Nikolaus Chodowiecki

Self-Portrait at the Age of 58
Self-Portrait at the Age of 58 by

Self-Portrait at the Age of 58

The artist abandoned the idealized portraiture of the Rococo period and specialized in half-length portraits with naturalistic poses and subdued tones.

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