GRANDVILLE, Jean-Jacques - b. 1803 Nancy, d. 1847 Vanves - WGA

GRANDVILLE, Jean-Jacques

(b. 1803 Nancy, d. 1847 Vanves)

French caricaturist and illustrator (originally Jean-Ignace-Isidore Gérard). He was the son of the miniaturist Jean-Baptiste Gérard (1766-1854), and his paternal grandparents were actors known as ‘Gérard de Grandville’, the source of his pseudonym. He began to draw when very young and published his first lithograph, the Cherry Seller, in Nancy in 1825. From the start he copied the style of the little satirical scenes that had been popularized by the English and French satirical magazines of the period such as the Nain jaune.

He went to Paris in 1825 and worked initially for the lithographer Mansion (pseud. of Léon-André Larue) and with Hippolyte Lecomte on Costumes (1826). He published further series of Theatre colour lithographs in the English manner, Sundays of a Paris Bourgeois (1826) and Every Age Has its Pleasures (1827), for Langlumé. He had considerable success in 1829 with his album Today’s Metamorphoses for the publisher Bulla, in which animals appeared dressed as humans: his penchant for fantasy was already obvious. A new series for Bulla in 1830, Journey for Eternity, was not as successful and was cut short after nine plates had been published. Among his illustrations are those for Lafontaine’s Fables.

Fish Fishing for People
Fish Fishing for People by

Fish Fishing for People

This print is part of the series Un Autre Monde.

Duality is a source of wistful comedy. Grandville, the ‘king of caricature’, in disturbing prints like his series Today’s Metamorphoses (1829) and Un Autre Monde (1844), animated flowers, animals dressed as humans, or as in Fish Fishing for People, exchanging roles with them, suggest the uncontrollable transformations that our multiple identities might produce.

Frenzied Romans at the First Performance of Hernani
Frenzied Romans at the First Performance of Hernani by

Frenzied Romans at the First Performance of Hernani

It was this group of people that Hugo turned to for the battle of Hernani. The censors of France had prohibited one of his plays, the Marion de Lorme, from being performed. To ensure that this did not happen to Hernani, Hugo assembled a Romantic Army. They ensured that there was enough of a crowd upon opening night that the play could not be shut down.

Eight hours before the premiere, 25 February 1830, Hugo arrived at the Th�âtre Fran�ais to position his troops. Th�ophile Gautier wore his famous red waistcoat and lime green pants - everything to annoy the Classicists who were filling the boxes. Loyal groups were seated next to anyone that might be tempted to try to hiss the cast off the stage. The auditorium turned into a spectacular field of battle; Liberals versus Royalists, Romantics versus Classicists, free expression versus aesthetical conformism and the young versus the old.

Upon the premiere night, these proto-bohemians were locked within the auditorium for three hours, and in that time managed to make quite a mess of it, mostly due to the lack of facilities provided for them. When the bourgeois audience members arrived for the show, they were appalled at the damage, and at the absurd looking people who were already there. Hernani stayed on the stage for one hundred performances, but never went on without a scuffle or argument.

Steam Concert
Steam Concert by

Steam Concert

Jean-Ignace-Isidore G�rard, known as J.J. Grandville excelled in the genre of caricature. His illustrations for Un Autre Monde are said to have been inspired by Goya, yet in their enjoyment of bizarre views and the personification of inanimate objects they seem to share more with the world of Hieronymus Bosch and the work of the Surrealists.

The picture shows an illustration for his Un Autre Monde.

Thistle
Thistle by

Thistle

The picture shows a plate from the Anime des Fleurs.

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