GRIMALDI, Giovanni Francesco - b. 1606 Bologna, d. 1680 Roma - WGA

GRIMALDI, Giovanni Francesco

(b. 1606 Bologna, d. 1680 Roma)

Italian painter, sometimes called Il Bolognese. He was an all-around talent who worked as painter, printmaker, draftsman, and architect. Grimaldi first studied in Bologna in the circle of the Carracci. Around 1626 he went to Rome; by 1635, he was a member of the Accademia di San Luca and associated with the artists working with Pietro da Cortona. In Rome, Grimaldi regularly collaborated on public decorations with other artists, including Alessandro Algardi and Gaspard Dughet.

Although he spent most of his career in Rome, Grimaldi did work elsewhere. From 1649 to 1651, he worked with Giovanni Francesco Romanelli in Paris, both in the palace of Cardinal Mazarin (now the Bibliothèque Nationale) and in the Palais du Louvre. Between 1656 and 1659, he was probably designing the chapel of the Immaculate Conception in Tivoli Cathedral.

An accomplished fresco painter, Grimaldi painted a variety of subjects, but his decorative landscapes were most popular with leading Roman families. Organized around a clear sequence of planes leading into the distance punctuated by people and buildings, Grimaldi’s landscape drawings remained based in the Carracci tradition. His many etchings and drawings spread the influence of the Bolognese landscape throughout Europe.

Landscape
Landscape by

Landscape

This drawing shows a landscape with a large tree on the right and a distant view of a town on the left.

Landscape near Viterbo
Landscape near Viterbo by

Landscape near Viterbo

Grimaldi uses long, thin quill marks to portray this landscape, varying the density of these marks in order to create some tonal distinction and a sense of the different textures.

Tobias and the Angel
Tobias and the Angel by

Tobias and the Angel

Giovanni Francesco Grimaldi developed an attractive landscape style in the manner of the mature Annibale Carracci, and his work, which was popular with collectors and much engraved, helped to spread the tradition of ideal landscape in Europe.

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