GUAS, Juan - b. ~1430 Saint-Pol-de-Léon, d. 1496 Toledo - WGA

GUAS, Juan

(b. ~1430 Saint-Pol-de-Léon, d. 1496 Toledo)

French architect and possibly sculptor, active in Spain. He was the most prominent exponent of the Hispano-Flemish or Isabelline style. Guas was the son of the mason Pedro Guas, who arrived in Toledo from Brittany c. 1440 with the group of masons led by Hanequin de Bruselas, in whose workshop Juan Guas probably trained. The first proof of his works dates back to 1448, year in which he collaborated with his father (possibly as a sculptor) on works done at the Puerta de los Leones (Lions’ Gate) on the Cathedral in Toledo. His supposed brothers Enrique and Bonifacio, cited as assistants through the mistaken interpretation of an inscription and a document, never existed. In 1453 he was named as an assistant in the building of the Puerta de los Leones. In 1458 he was listed as a master mason in the cathedral accounts, and in the following year he married Marina Álvarez.

His notable buildings are: the Monasterio de San Juan de los Reyes, Toledo (between 1479 and 1480 for Ferdinand and Isabella), the Infantado Palace (Palacio del Infantado), Guadalajara (for the powerful Mendoza family), and the Segovia Cathedral (serving as Master of Works between 1473 and 1491).

With Guas’s talent for fusing Gothic and Mudéjar forms typical of Castilian culture, his architecture is considered some of the most interesting architecture of late medieval Spain.

Interior view
Interior view by

Interior view

In 1476, Queen Isabella founded the Franciscan monastery of San Juan de los Reyes in Toledo. The architecture of the noble, aiseless church with lateral chapels was deliberately toned down by the architect Juan Guas in order to bring out the fine detail of the decoration and the perfection of masonry.

Interior view
Interior view by

Interior view

In 1476, Queen Isabella founded the Franciscan monastery of San Juan de los Reyes in Toledo. The architecture of the noble, aiseless church with lateral chapels was deliberately toned down by the architect Juan Guas in order to bring out the fine detail of the decoration and the perfection of masonry.

The adjacent two-story cloister, with its filigree tracery, finely worked molding, and decoration which combines plant forms and words, belongs among the masterpieces of Isabelline art.

The picture shows the cloister, completed after 1500.

Royal Gallery
Royal Gallery by

Royal Gallery

In Castile, the Catholic Monarchs, Ferdinand and Isabella, had developed a profusely ornamented Late Gothic style into a sort of royal mode. Buildings such as San Juan de los Reyes in Toledo, at first planned as a royal funerary church, display the magnificence of this Spanish courtly style. The two royal galleries in the transept, richly carved with elaborate openwork balustrades and consoles crafted to resemble fine metalwork, were key moments in the experience of the interior of the church.

View of the courtyard
View of the courtyard by

View of the courtyard

The Palacio del Infantado in Guadalajara is a palatial four-sided building with a two-story courtyard. Its urban character is unmistakable, it is like a city palace of the Renaissance, though the opulent architectural ornamentation mixes Islamic, Late Gothic, and even occasional classical motifs. The courtyard is articulated by renovated Tuscan columns below and twisted columns above, spanned by heavily decorated Isabelline curvilinear arches.

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