HANNEMAN, Adriaen - b. ~1603 Den Haag, d. 1671 Den Haag - WGA

HANNEMAN, Adriaen

(b. ~1603 Den Haag, d. 1671 Den Haag)

Dutch painter. He came from a family of Catholic government officials. In 1619 he became a pupil of the portrait painter Anthonie van Ravesteyn (1580-1669), brother of Jan van Ravesteyn. Hanneman’s only known early work is a Portrait of a Woman (1625; private collection), which is entirely in the style of the van Ravesteyn brothers. Around 1626 he settled in London, where he married Elizabeth Wilson in 1630. It is possible that Hanneman worked for some time as an assistant in the workshop of Anthony van Dyck, who settled in England in 1632. The few signed pieces that have been preserved from Hanneman’s years in London, and his later paintings, show the strong influence of van Dyck’s style of portraiture.

Hanneman stayed in London until about 1638. He joined the painters’ guild of The Hague in 1640. His wife died before he moved back to the Netherlands, and he married in 1640 Jan van Ravesteyn’s daughter Maria. His second wife died some time before 1654, and he married Alida Besemer in 1669.

Hanneman was instrumental in the founding of the painters’ confraternity Pictura in 1656, and was elected its first dean. He was one of the organization’s principal officers throughout the 1660s.

Portrait of Amalia von Hesse-Kassel
Portrait of Amalia von Hesse-Kassel by

Portrait of Amalia von Hesse-Kassel

Amalia von Hesse-Kassel (1626-1693) was the daughter of William V, Landgrave of Hesse-Kassel and Amalia Elizabeth von Hanau-M�nzenberg. The portrait reflects the influence of Hanneman’s contemporary, Anthony van Dyck. Both artists worked in England during the 1630s and may well have had contact there.

Portrait of Amalia von Hesse-Kassel (detail)
Portrait of Amalia von Hesse-Kassel (detail) by

Portrait of Amalia von Hesse-Kassel (detail)

Portrait of a Woman
Portrait of a Woman by

Portrait of a Woman

This portrait is one of several portraits of upper-middle-class women in which the painter varied a standard compositional scheme. The graceful proportions of the figure recall Van Dyck’s manner of flattering female subjects.

Portrait of an Officer
Portrait of an Officer by

Portrait of an Officer

The sitter of this portrait is probably cavalier officer Robert Davies (1616-1666), staunch Royalist during the Civil War.

Self-Portrait
Self-Portrait by

Self-Portrait

Van Dyck’s portraiture influenced Hanneman until the end of his successful career. Hanneman remained indebted to his Flemish predecessor with respect to poses, the rendering of fabrics, and the confident gaze of his sitters.

The bust in the present self-portrait is identified as representing a marble sculpture of St Susanna, made by Fran�ois Duquesnoy in the Santa Susanna di Loreto in Rome. This statue was a great success and plaster casts and bronze copies were already made in the seventeenth century.

Self-Portrait
Self-Portrait by

Self-Portrait

Hanneman made several self-portraits, the earliest is dated 1647 and gives the painter’s age as forty-three, the last from 1669 is his last known work.

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