HAWKSMOOR, Nicholas - b. 1661 London, d. 1736 London - WGA

HAWKSMOOR, Nicholas

(b. 1661 London, d. 1736 London)

English architect. He was trained in the 1680s as architect under Sir Christopher Wren, whom he assisted later (from 1696 personally, and 1698 officially) in designing Greenwich Hospital (now the Royal Naval College). He collaborated with Sir John Vanbrugh on Castle Howard (first design: 1699) and Blenheim Palace (begun 1705). He was appointed clerk of works at Kensington Palace in 1689. He was replaced by Henry Jones in 1715, but received the senior clerkship to the palaces of Whitehall, Westminster, and Saint James’s in the same year.

Hawksmoor was appointed, with John James (c. 1642-1746), surveyor or executive architect to the Fifty Churches Commission, from 1711 until the termination of the scheme in 1733. This project consisted of rebuilding, mostly in the new suburbs of London and Westminster, the churches destroyed in the Great Fire of 1666. A dozen of these churches were realised; Hawksmoor designed six of them plus two more in collaboration with John James. He designed the north quadrangle of All Souls College (1716-1735), Oxford University.

John Vanbrugh and Nicholas Hawksmoor expanded Wren’s style to more monumental dimensions, but also into a fundamentally more picturesque idiom.

Exterior view
Exterior view by

Exterior view

The mausoleum, built by Hawksmoor on 1729 as the Howard family tomb was to be a seminal structure for the romantic movement. After discarding the initial designs which were closely modeled on antiquity, he constructed a round temple with Doric capitals based on Bramante’s Tempietto in San Pietro in Montorio in Rome. The picturesque building sited on higher ground embodies in a unique manner the dramatic creative power of English architecture.

Exterior view
Exterior view by

Exterior view

Christ Church, Spitalfields appears at first sight to have a basilican plan but is in fact a centralized interior stretched along the west-east axis. The three central bays of the ‘nave’ are differentiated from those at the ends, and the cross axis is marked by side entrances. The design of Christ Church continued to develop during the 1720s: the Gothic broach spire, originally adorned with crockets, and the portico in the form of a giant, three-dimensional Venetian window were late additions.

Hawksmoor’s style is Baroque; that is evident in those later works of his where he was fully responsible for design and execution, and especially in his London churches. The composition of Christ Church seems deliberately disjointed, the portico with its odd arched centre of Late Roman origin, and the next stage, virtually receding and repeating the same motif with pilasters on a surface wider than that of the tower proper. The composition is crowned by a spire which adds to the Late Roman Baroque of the picture an odd Gothic note.

Exterior view
Exterior view by

Exterior view

Christ Church, Spitalfields appears at first sight to have a basilican plan but is in fact a centralized interior stretched along the west-east axis. The three central bays of the ‘nave’ are differentiated from those at the ends, and the cross axis is marked by side entrances. The design of Christ Church continued to develop during the 1720s: the Gothic broach spire, originally adorned with crockets, and the portico in the form of a giant, three-dimensional Venetian window were late additions.

Hawksmoor’s style is Baroque; that is evident in those later works of his where he was fully responsible for design and execution, and especially in his London churches. The composition of Christ Church seems deliberately disjointed, the portico with its odd arched centre of Late Roman origin, and the next stage, virtually receding and repeating the same motif with pilasters on a surface wider than that of the tower proper. The composition is crowned by a spire which adds to the Late Roman Baroque of the picture an odd Gothic note.

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