HUMMEL, Johann Erdmann - b. 1769 Kassel, d. 1852 Berlin - WGA

HUMMEL, Johann Erdmann

(b. 1769 Kassel, d. 1852 Berlin)

German painter. His pioneering realist genre scenes from 1812-1820 were among the first to develop in style and theme essential characteristics of the first period of Biedermeier art. Because of the transitional nature of these paintings and their significance as models for subsequent Biedermeier realism, their influences are crucial and shed light on the origins of that style. The sources are 17th century Dutch art, Zopfstil painting, the indigenous Berlin tradition of realism, and 15th century Northern Renaissance art which was just being discovered at this time.

Hummel studied from 1780 to 1792 at the Academy of Art in Kassel. From 1792 until 1799 he was in Italy where he contacted German landscape painters who were against the then prevailing classical style of Anton Raphael Mengs. In 1799 he returns to Germany, first to Kassel then to Berlin, where he settled. In Berlin he worked as an illustrator and engraver. In his work he over-emphasized the design perspective, which earned him the nickname “Perspective-Hummel”.

In 1809 he became Professor at the Academy of Art, where he taught architecture, projection, and optics.

Chess Players
Chess Players by

Chess Players

The persons in the painting are: architect Hans Christian Genelli (with a pipe); archeologist Aloys Hirt; Gustav Adolf von Ingenheim (son of King Friedrich Wilhelm II and countess Voss); painter Friedrich Bury; the artist himself (at the window), Count Friedrich Wilhelm von Brandenburg (son of King Friedrich Wilhelm II and countess Doenhoff).

Granite Basin in the Lustgarten
Granite Basin in the Lustgarten by

Granite Basin in the Lustgarten

The years between the defeat of Napoleon in 1815 and the revolutions of 1848, known as the Biedermeier era, were a time of relative peace, prosperity, and innovation in German-speaking Europe. The art of the period came to be characterized by what a critic of the day called “rigorous simplicity.” In painting, emphasis was given to the objective recording of natural phenomena, and artists sought to achieve an enamel-like finish that masked individual brushstrokes. Landscape and portraiture grew in importance while history painting declined.

Berlin was expanding rapidly, growing to fulfil its role as a major European capital. Imposing new public buildings by Schinkel and his disciples were being constructed. Painters like Eduard Gärtner and Johann Erdmann Hummel chose Berlin as their subject, carefully depicting the architectural and technological wonders, like the huge granite bowl that adorned the centre of the city.

Schloss Wilhelmshöhe with the Habichtswald
Schloss Wilhelmshöhe with the Habichtswald by

Schloss Wilhelmshöhe with the Habichtswald

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