JENSEN, Georg - b. 1866 Raadvad, d. 1935 København - WGA

JENSEN, Georg

(b. 1866 Raadvad, d. 1935 København)

Danish silversmith and sculptor. Jensen was apprenticed to a goldsmith in his teens; he later studied sculpture at the Kunstakademiet in Copenhagen. Unable to make a living as a sculptor, Jensen returned to silversmithing and worked for Mogens Ballin (1871-1941), whose fleshy and organic interpretation of Art Nouveau strongly influenced his designs. Jensen set up his first workshop, primarily making jewellery, in Copenhagen in 1904. His early designs show the influence of Art Nouveau, often characterized by full, simple forms incorporating stylized bird and flower motifs.

In 1906 he produced his first complete set of flatware, ‘Continental’, which was still in production in the 1980s. Distinctive for its restraint and the interplay between its strong silhouette and a surface animated by small hammer marks, it is a clear expression of his involvement with the Arts and Crafts Movement. Many of Jensen’s most famous pieces were produced between 1908 and 1918. In 1914 the Louvre, Paris, bought a silver bowl (1912), subsequently known as the ‘Louvre bowl’. It shows both the slightly low, bulbous profile and the use of discrete bands of decoration that are typical of his hollow-ware.

In 1907, Jensen entered into a lifelong partnership with the painter Johan Rohde (1856-1935), who was responsible for several important designs, including the successful flatware pattern ‘Acorn’ (1915).

Jensen designs are displayed at the Georg Jensen Museum in the company’s main Copenhagen shop.

Brooch
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Brooch

Jensen’s jewellery combines flower and insect motifs from Art Nouveau with traditional Nordic ornament; semiprecious stones and enamel add colourful accents.

Amber was traditionally used in Danish jewellery. It is characteristic of Jensen to achieve colour with a few other materials, either amber or a semiprecious stone such as lapis lazuli. The jewellery was usually given an oxidized patina so that the surface appears matt grey.

Cigar lighter
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Cigar lighter

Hand raised and hand chased, this cigar lighter exemplifies the fluid organic arts and crafts design that made Jensen famous. On an oval-shaped platform supported by four ball feet, a pedestal formed like an opening blossom holds a bulb-shaped centre fuel holding section. The wick is hidden by a cover with four strands of berries flowing down the sides topped with a lapis lazuli bead finial.

Coffee and tea service
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Coffee and tea service

Jensen’s chased silverware is “crowned” by extravagant primarily from the plant kingdom. Umbels and capsules, and the opium poppy, so beloved of the Symbolists, adorn the handles and lids of his curvaceous services, whose highly original style of decoration makes them instantly recognizable as “Jensens”.

Coffee and tea service
Coffee and tea service by

Coffee and tea service

Jensen’s chased silverware is “crowned” by extravagant primarily from the plant kingdom. Umbels and capsules, and the opium poppy, so beloved of the Symbolists, adorn the handles and lids of his curvaceous services, whose highly original style of decoration makes them instantly recognizable as “Jensens”.

Louvre Bowl
Louvre Bowl by

Louvre Bowl

The Louvre Bowl - so-called since the Mus�e des Arts D�coratifs at Mus�e du Louvre in Paris acquired this bowl for their permanent collection in 1914.

The Louvre Bowl is one of Georg Jensen’s most famous designs; numerous museums around the world acquired an example of it. In Denmark, it appears on stamps showing outstanding Danish products.

As in most of Georg Jensen’s designs, the bowl is in the Art Nouveau style with the characteristic ornamental curved lines, organic structures, and decorative ornaments of flora and fauna. As a characteristic of Georg Jensen, he shows restraint in the use of decoration, limited to the middle section of leaves and beads, leaving the rest of the bowl decorated only on the surface with hammer marks.

The manner in which the bowl seems to hover weightlessly on a base of leaves is an excellent illustration of Georg Jensen’s ability to unite ‘fine art’ with ‘arts and crafts’. This fruit bowl is a whole little sculpture in itself and demonstrates the effect of the hammered surface.

The base of leaves and beads consists of 12 individual pieces with a total of 24 beads, which have been filed and polished to a perfectly smooth surface. Then the pieces have been soldered onto the base piece by piece.

Sugar Caster
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