JOURDAIN, Frantz - b. 1847 Antwerpen, d. 1935 Paris - WGA

JOURDAIN, Frantz

(b. 1847 Antwerpen, d. 1935 Paris)

French writer and architect. He studied architecture at the Ecole des Beaux-Arts in Paris in the 1860s. By the 1890s he was a leading art critic, writing disparaging essays about the Ecole. Jourdain’s articles were widely published and frequently quoted. He was a supporter of new ideas and became known as a proponent of Modernism and modern art. Jourdain urged young architects to reject their anachronistic academic training and to avoid historical styles, thereby creating new architectural forms. He also criticized the élitist handicraft approach of the English Arts and Crafts movement. He supported unity in the arts and favoured a collaboration between art and industry.

Jourdain’s major building commission was from Ernest Cognacq (1839-1928), for the Art Nouveau department store, La Samaritaine in Paris (1905-10). His design was radical in its use of glass and an exposed steel frame. The brilliantly coloured building was lavishly decorated in a naturalistic ornament. Despite its appearance, the building was rational, serving perfectly the function for which it was designed. Within a decade, however, La Samaritaine was caught in an abrupt shift in taste that rejected Art Nouveau and was regarded with contempt, especially by younger architects. In the late 1920s, the building was enlarged, remodelled drastically, and its striking projecting glass domes and colourful ornament removed. Nonetheless, Jourdain’s ideals, embodied in La Samaritaine and his writing, provided the foundation for much of the thinking of the modern movement.

His son, Francis Jourdain (1876-1958) was a designer, writer and painter.

Exterior view
Exterior view by

Exterior view

Jourdain’s design of the Art Nouveau department store in Paris was radical in its use of glass and an exposed steel frame. The brilliantly coloured building was lavishly decorated in a naturalistic ornament. Despite its appearance, the building was rational, serving perfectly the function for which it was designed. Within a decade, however, La Samaritaine was caught in an abrupt shift in taste that rejected Art Nouveau and was regarded with contempt, especially by younger architects. In the late 1920s, the building was enlarged, remodelled drastically, and its striking projecting glass domes and colourful ornament removed.

After a restoration that lasted 15 years, the building reopened in 2021. It comprises an ensemble of decorative buildings designed by architects Frantz Jourdain and Henri Sauvage. An important part of the project was the restoration of the existing Art Nouveau and Art Deco building closest to the Seine, which is listed as a historical monument. This included restoring its cast-iron signs, ceramic decorations, decorative pillars and the original multicoloured enamel tile facades hidden under a stone-coloured wash. Inside the same building, its staircase-filled atrium that is crowned by a rectangular glass roof built in 1905 has been restored to its former glory.

Other parts of the mixed-used complex were remodelled and refurbished to bring them to modern-day standards.

The photo shows the original fa�ade, restored in 2021.

Exterior view
Exterior view by

Exterior view

Jourdain’s design of the Art Nouveau department store in Paris was radical in its use of glass and an exposed steel frame. The brilliantly coloured building was lavishly decorated in a naturalistic ornament. Despite its appearance, the building was rational, serving perfectly the function for which it was designed. Within a decade, however, La Samaritaine was caught in an abrupt shift in taste that rejected Art Nouveau and was regarded with contempt, especially by younger architects. In the late 1920s, the building was enlarged, remodelled drastically, and its striking projecting glass domes and colourful ornament removed.

After a restoration that lasted 15 years, the building reopened in 2021. It comprises an ensemble of decorative buildings designed by architects Frantz Jourdain and Henri Sauvage. An important part of the project was the restoration of the existing Art Nouveau and Art Deco building closest to the Seine, which is listed as a historical monument. This included restoring its cast-iron signs, ceramic decorations, decorative pillars and the original multicoloured enamel tile facades hidden under a stone-coloured wash. Inside the same building, its staircase-filled atrium that is crowned by a rectangular glass roof built in 1905 has been restored to its former glory.

Other parts of the mixed-used complex were remodelled and refurbished to bring them to modern-day standards.

The photo shows the original fa�ade, restored in 2021.

Interior view
Interior view by

Interior view

The photo shows a view of the atrium.

Interior view
Interior view by

Interior view

The photo shows the glass roof.

Interior view
Interior view by

Interior view

The photo shows the staircase.

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