KERN, Leonhard - b. 1588 Forchtenberg, d. 1662 Schwäbisch Hall - WGA

KERN, Leonhard

(b. 1588 Forchtenberg, d. 1662 Schwäbisch Hall)

German sculptor. Coming from a family of masons, he served an apprenticeship from 1603 to 1609 with his brother, the sculptor Michael Kern (1580-1649), working closely with him in Würzburg and elsewhere. He spent the next four years chiefly in Italy. He stayed in Rome, where he learnt life drawing, possibly at the Accademia di San Luca, and pursued architectural studies; he also stayed in Naples, from where he travelled to North Africa, and in Venice. He visited Laibach (now Ljubljana) in 1613. From 1614 to 1620 he worked in Forchtenberg, Heidelberg and Nuremberg, and from then on until his death he supervised a large studio in Schwäbisch Hall.

It is difficult to distinguish the works he actually created himself from those of his colleagues and successors. Kern’s individual style; the influence of various stylistic elements (Italy, Flanders) on his development within the limits of local traditional methods of carving; the patterns he followed and the frequent variations he introduced into the types and styles of his figures; the occasional diversity of treatment in his technical execution - all this is often hard to determine precisely in his individual works, and makes their exact dating and chronological arrangement difficult.

Diana
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Diana

In the 17th century there was a late Gothic survival in Germany, in the altars of carved wood, lavishly overdecorated, and in the taste, so common among German sculptors for small-scale works in wood, ivory, boxwood, coconutwood and coral. This aspect of German art produced some masterpieces; some of the most famous artists, among them Leonhard Kern, did not scorn these unusual materials.

Imago Pietatis
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Imago Pietatis

Leonard Kern was one of the main designers of small sculpture in the early German Baroque period. The richly diverse output of his workshop includes objects of soapstone, alabaster, wood, and ivory.

The Three Graces
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The Three Graces

This signed, unpainted wooden group was made in Schwäbisch Hall. The three nudes stand on a narrow base and are only connected by the embracing gesture of the arms and the movement of the heads. It was composed for one main view.

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