KÖNIG, Johann - b. 1586 Nürnberg, d. 1642 Nürnberg - WGA

KÖNIG, Johann

(b. 1586 Nürnberg, d. 1642 Nürnberg)

German painter. He is first documented in Rome between 1610 and 1614, but his obvious knowledge of the work of Hans Rottenhammer the Elder suggests that he lived in Augsburg before travelling to Italy. He must have visited Venice, where it is documented that he made a miniature copy (untraced) of Veronese’s Marriage at Cana (1563; Paris, Louvre). In Rome he could have met Adam Elsheimer, who died in 1610 and whose influence is significant in König’s work. He also encountered the landscapes of Paul Bril and the early paintings of Carlo Saraceni. In 1614 he returned to Augsburg, where he married and became a master in the guild of painters in 1622.

The majority of König’s oeuvre consists of small cabinet paintings, often painted on copper, in a miniaturist style and technique developed during the artist’s sojourn to Rome.

Extensive Landscape with the Flight into Egypt
Extensive Landscape with the Flight into Egypt by

Extensive Landscape with the Flight into Egypt

In this dramatic landscape setting the Biblical subject is confined to the immediate right foreground.

The Death of Niobe's Children
The Death of Niobe's Children by

The Death of Niobe's Children

This painting is one of K�nig’s most ambitious, multi-figural compositions and is painted on an unusually large scale. It reveals a synthesis of the artist’s Roman style with that of the great 16th century Venetian colourists. The strong Venetian overtones derive also from the influence of his fellow countryman, Johann Rottenhammer.

The Resurrection of Christ
The Resurrection of Christ by

The Resurrection of Christ

This scene from the life of Christ is painted on an unusually large copper panel with the traditional iconography. The chromatic richness of the foreground scene is remarkable.

Wooded River Landscape with St John the Baptist
Wooded River Landscape with St John the Baptist by

Wooded River Landscape with St John the Baptist

Johann K�nig was the finest of the followers of Elsheimer, whose influence can be seen in this small painting.

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