LE LORRAIN, Louis-Joseph - b. 1715 Paris, d. 1759 St. Petersburg - WGA

LE LORRAIN, Louis-Joseph

(b. 1715 Paris, d. 1759 St. Petersburg)

French painter, furniture designer, architect and engraver. He studied with Jacques Dumont and won the Grand Prix de Peinture in 1739. He remained for eight years in Rome, where his architectural designs for the temporary centrepiece of the annual Chinea festival (1745, 1746 and 1747) are early examples of Neo-classicism, displaying a simple architectonic use of the orders that indicates his association with Giovanni Battista Piranesi in the circle of students of the Académie de France in Rome, who were highly influential in French architecture from the 1760s onwards.

On his return to Paris in 1747, Le Lorrain enjoyed the patronage of the Comte de Caylus, for whom he executed engravings of ancient paintings and revived the technique of encaustic. Through de Caylus he obtained a commission from Count Carl Gustav Tessin to design quadratura representations of columns and niches for the dining-room walls of his country house at Akerö, Sweden, in 1754. Le Lorrain also helped Julien-David Le Roy to prepare his drawings of ancient Greek monuments for engraving, published in Les Ruines des plus beaux monuments de la Grèce (1758).

"Desk from the "Greek-style cabinet"
"Desk from the "Greek-style cabinet" by

"Desk from the "Greek-style cabinet"

From the mid 18th century there was a shift in taste, the waning of Rococo and its offshoots was manifested through a veritable proselytising for “better taste.” The first rumblings of a total reversal of values occurred when Louis-Joseph Le Lorrain designed a “Greek style” room (woodwork, furniture, medallions) for Lalive de Jully, who was in charge of introducing ambassadors at court. Dating from 1756, it represents a revealing symptom of change.

La Descente d'Ulysse aux Enfers
La Descente d'Ulysse aux Enfers by

La Descente d'Ulysse aux Enfers

The etching depicting The Descent of Ulysses to the Underworld is inscribed bottom left: Dessin� et grave par le Lorrain.

Project of a monument with Turkish characters
Project of a monument with Turkish characters by

Project of a monument with Turkish characters

Study for a Vase in a Suite of Vase Designs
Study for a Vase in a Suite of Vase Designs by

Study for a Vase in a Suite of Vase Designs

Temple of Venus
Temple of Venus by

Temple of Venus

Despite international conflicts, European courts in the 18th century displayed significant cultural unity, and many artists traveled or settled abroad. One such artist was Louis-Joseph Le Lorrain, an engraver and painter of still-lifes and history paintings, who was known, above all, as a designer of vases and furniture. He also organized public festivities (La Chinea, 1745-48, Rome).

The picture shows one of Le Lorrain’s proposals for the Chinea festivities.

The Death of Lucretia
The Death of Lucretia by

The Death of Lucretia

This etching was made after Jean-Fran�ois de Troy.

Three Figures Dressed for a Masquerade
Three Figures Dressed for a Masquerade by

Three Figures Dressed for a Masquerade

The earliest sources attributed this painting to Pietro Longhi, and later it was attributed to several other painters of the Venetian school. Since 1978, the attribution to Le Lorrain, based on the painter’s distinctive treatment of faces, won general acceptance. The costumes of the two men flanking the seated woman are probably Polish. The architectural setting of the painting is borrowed from a print by Giovanni Battista Piranesi.

Tobit Burying the Dead in Defiance of the Orders of Sennacherib
Tobit Burying the Dead in Defiance of the Orders of Sennacherib by

Tobit Burying the Dead in Defiance of the Orders of Sennacherib

The Book of Tobit is a book of scripture that is part of the Catholic and Orthodox biblical canons. It tells the story of Tobit, a righteous Israelite of the tribe of Naphtali, living in Nineveh after Sargon II had deported the northern tribes of Israel to Assyria in 721 BC. Tobit, raised by his paternal grandmother, Deborah, remains loyal to the worship of God at the temple in Jerusalem, refusing the cult of the golden calves that Jeroboam, king of Northern Israel, set up at Dan. He is particularly noted for his diligence in attempting to provide proper burials for fallen Israelites whom Sargon’s successor, Sennacherib, has slain. For this behaviour the king seizes his property and exiles him.

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