LEISTIKOW, Walter - b. 1855 Bromberg, d. 1908 Schlachtensee - WGA

LEISTIKOW, Walter

(b. 1855 Bromberg, d. 1908 Schlachtensee)

German painter, decorative artist, etcher, exhibition organizer and writer. He studied painting briefly in 1883, at the Akademie in Berlin, but he was dismissed after six months as ‘untalented’. From 1883 to 1885 he trained with the painter Hermann Eschke (1823-1900) and from 1885 to 1887 with the Norwegian painter Hans Fredrik Gude (1825-1903). Gude had a decisive influence on the style of Leistikow’s early works, as is especially clear in Leistikow’s light coastal landscapes with figures. His most significant work from this period, however, is Brickworks near Eckernförde (1887).

Leistikow’s dismissal from the Akademie concentrated his attention on issues of artistic policy. When the German government decided not to send works for exhibition in the Exposition Universelle in Paris in 1889, Leistikow himself organized the dispatch of works to Paris. In 1892, under a pseudonym, he wrote articles on the outraged German reaction to the work of Edvard Munch, sharply attacking the Akademie and its director, Anton von Werner. In the same year, he was one of the founders of the Gruppe der Elf, which led to the formation of Berlin Secession.

He painted impressionistic, atmospheric pictures of the Nordic landscape of forests and lakes. From 1890 he became influenced by Art Nouveau, Japanese woodcuts and Puvis de Chavannes. In 1898 his painting Lake Grunewald was rejected by the Great Berlin Exhibition.

'Corvi noctis' tapestry
'Corvi noctis' tapestry by

'Corvi noctis' tapestry

Leistikow developed a decorative linear style that simultaneously separates and emphasizes his forms. He was active in the sphere of applied art, in particular designing posters, wallpapers and carpets. His favourite motifs were water, trees, and low-flying birds. The latter motif appears in the tapestry ‘Corvi noctis’ (Latin: ‘Ravens of the night’).

A view of Grunewald
A view of Grunewald by

A view of Grunewald

The locality of Grunewald and the homonymous forest is within the Berlin borough of Charlottenburg-Wilmersdorf.

Cranes
Cranes by

Cranes

Leistikow’s favourite motifs were water, trees, and low-flying birds. The latter motif appears in the present lithograph.

Forest with sand pit
Forest with sand pit by

Forest with sand pit

Lake Grunewald
Lake Grunewald by

Lake Grunewald

The ominous, almost Orientally decorative treatment of the Grunwaldsee by Walter Leistikow shows the new trend toward the abstract as the nineteenth century comes to a close. Flat, patterned, close to lacquer screen or brocade in its restraint, this approach to the experience of nature anticipates Modernism in its restraint and respect for the two-dimensional.

Lake Schlachtensee at Dusk
Lake Schlachtensee at Dusk by

Lake Schlachtensee at Dusk

In Leistikow’s pictures of lakes and forests, feelings and moods are symbolized in arabesque, mutually corresponding contour lines.

Sailboats at the lakeside
Sailboats at the lakeside by

Sailboats at the lakeside

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