LEONI, Ottavio - b. 1578 Roma, d. 1630 Roma - WGA

LEONI, Ottavio

(b. 1578 Roma, d. 1630 Roma)

Italian painter and printmaker. He was the son of the Paduan-born Ludovico Leoni (1542-1612), a maker of medals and wax relief portraits. Although Ottavio was active entirely in Rome, where his father had also worked and died, he was often known as ‘il Padovano’ because of the family origins. He first trained with his father.

Leoni painted altarpieces for churches in Rome such as an Annunciation for Sant’Eustachio and a Virgin and Child with St Giacinto for Santa Maria della Minerva, and a Sts Charles, Francis, and Nicholas for Sant’ Urbano. He became a member, and later president, of the Academy of St Luke. Ottavio Leoni was also the engraver of a set of portraits of painters. His portrait of Michelangelo Merisi Caravaggio is the only documented portrait of the painter by another artist.

In 1603 Ottavio was involved in a libel action against Caravaggio by the painter Giovanni Baglione, whose vita provides the best source of information on Leoni’s life. One witness at the trial, Tommaso Salini, claimed he had received verses criticizing Baglione written by Orazio Gentileschi and ‘Ottavio Padovano’ (i.e. Leoni). Caravaggio testified that he knew Leoni without having ever spoken to him. Ottavio Leoni was one of the most fashionable and successful portraitist working in Rome during the first thirty years of the seventeenth century. He favoured black, red and white chalk on tinted paper, for numerous portrait drawings; his painted portraits have unfortunately not survived. In the last decade of his life he produced some forty etched or engraved portraits, and had clearly planned more that remained unrealised at his death.

Caravaggio
Caravaggio by

Caravaggio

A substantial quantity of Leoni’s drawn portraits were acquired by the artist’s foremost patron, Cardinal Scipione Borghese. Many of Leoni’s drawings are dated and the sitters identifiable, being not only nobility and prominent figures in society but also leading artists active in Rome in that period; perhaps the most famous example is his instantly recognizable posthumous portrait of Michelangelo Merisi da Caravaggio.

Cardinal Francesco del Monte
Cardinal Francesco del Monte by

Cardinal Francesco del Monte

Giovanni Lorenzo Bernini
Giovanni Lorenzo Bernini by

Giovanni Lorenzo Bernini

Portrait of Annibale Carracci
Portrait of Annibale Carracci by

Portrait of Annibale Carracci

This portrait was taken not from life but from an earlier likeness.

Portrait of Cardinal Ludovico Ludovisi
Portrait of Cardinal Ludovico Ludovisi by

Portrait of Cardinal Ludovico Ludovisi

This sensitive portrait of Ludovico, turning his head to meet the gaze of the viewer, must have been painted by Ottavio Leoni shortly after Ludovico, a prot�g� of Pope Gregory XV (1621-1623), became cardinal. Wearing the ring symbolic of his new office, his lively right hand grasps the chair, while his left hand languidly holds a letter, likely alluding to Ludovico’s duties as secretary of state. In the seated, three-quarter length format the influence of Raphael can be noted.

Portrait of Guido Reni
Portrait of Guido Reni by

Portrait of Guido Reni

According to contemporary sources, Leoni was able to make a thoroughly convincing likeness after a single view. It is hard to believe that Ottavio Leoni’s extremely sensitive images were made after only a glance (as opposed to a single sitting), but certainly chalk drawings, typically in two tones, were made to produce a quick record. Leoni’s repertory of sitters brings a large number of personalities from early seventeenth-century Rome to life. The sitters are not idealised and sometimes look older than they were, as in the 1614 portrait of Guido Reni.

Portrait of a Lady
Portrait of a Lady by

Portrait of a Lady

While perhaps best known for his drawings, Leoni was also a skilled printmaker and painter. A number of his works on copper are recorded.

Self-Portrait
Self-Portrait by
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