LHERMITTE, Léon-Augustin - b. 1844 Mont Saint-Père, Aisne, d. 1925 Paris - WGA

LHERMITTE, Léon-Augustin

(b. 1844 Mont Saint-Père, Aisne, d. 1925 Paris)

French draughtsman, printmaker, painter and illustrator. He was the only son of a village schoolmaster and his precocious drawing skill won him an annual grant from the state. In 1863 he went to Paris and became a student at the Petite Ecole, where one of his teachers was Horace Lecoq de Boisbaudran, famed for his method of training the visual memory. Jean-Charles Cazin, a fellow pupil, became a lifelong friend and Lhermitte later got to know Alphonse Legros, Henri Fantin-Latour, Jules Dalou and Rodin, who had all studied at the school.

In 1864 his charcoal drawing the Banks of the Marne near Alfort (untraced) was exhibited at the Salon. By inclination and by training a meticulous draughtsman, he continued to exhibit his drawings at the Salon until 1889. He won his first medal in 1874 with La Moisson (Musée de Carcassone). Other prizes and honours came to Lhermitte throughout his long career, including the Grand Prix at the Exposition Universelle, 1889, the Diplome d’honneur, Dresden, 1890, and the Legion of Honour. He was a founding member of the Société Nationale des Beaux-Arts.

Lhermitte’s subject matter rarely deviated from the peasants and rural life of his youth. The most profound influence upon his work was Jean François Millet who, like Lhermitte, was equally adept with pastel as with oil.

August
August by
Entrance of La Rochelle's Harbour
Entrance of La Rochelle's Harbour by

Entrance of La Rochelle's Harbour

The painting is signed lower right: L. Lhermitte.

Shepherd and His Flock
Shepherd and His Flock by

Shepherd and His Flock

Lhermitte created beautiful, light-filled works in the Barbizon tradition while reinforcing the dignity of peasant life and the glory of the French rural landscape in the face of encroaching technology.

Soup of the Child
Soup of the Child by

Soup of the Child

Lhermitte’s subject matter rarely deviated from the peasants and rural life of his youth. The most profound influence upon his work was Jean Fran�ois Millet who, like Lhermitte, was equally adept with pastel as with oil.

Supper at Emmaus
Supper at Emmaus by

Supper at Emmaus

The Grandmother
The Grandmother by

The Grandmother

In The Grandmother, L�on Lhermitte brought together the youth and the old age of a country person in a single scene. The old woman is sitting on a church pew staring dejectedly into space, a book of prayers open on her lap. She has been marked by life, as the deep wrinkles in her face show. The approaching end of her life contrasts with the youth of the kneeling girl on whose rosy cheeks life has not yet left its mark.

Lhermitte’s approach shows him to have been an adept follower of Naturalism, which was popular at the time. The scene is rendered in the finest detail and the painter observes it without displaying any empathy with his subject. He found the theme in a scene in the village church at Mont-Saint-P�re in Picardy.

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