LOMBARD, Lambert - b. 1505 Liège, d. 1566 Liège - WGA

LOMBARD, Lambert

(b. 1505 Liège, d. 1566 Liège)

Flemish painter, draughtsman, architect, humanist and numismatist. He belonged to the generation of artists who sought to revive Flemish painting by turning to the art of antiquity and the Italian Renaissance. However, because of his northern training, he assimilated his models with difficulty and produced a hesitant form of art, one that was academic and cold. He was nonetheless an important innovator in the Low Countries through his investigation of the forms and compositions of Classical art. He also founded the first academy of art in the Low Countries and was influential through the prime role he accorded to scholarship in the training of the artist. Lombard was active as a designer of prints and as an architect, and seems to have run a large workshop, particularly in his later career. He was enormously influential on the development of art in Liège in the 16th Century, and his resolutely classicizing anti-primitive taste established a tradition which lasted in Liège throughout the following century as well.

His masterpiece is the celebrated altarpiece panels for the Saint-Denis retable done circa 1533. (The panels are currently divided between the church of Saint-Denis and the Musée de l’Art Wallon, in Liège, and the Musée des Beaux-Arts in Brussels). Apart from the Saint-Denis panels, very few paintings by him are known.

Figure studies
Figure studies by

Figure studies

Artists had long regarded the Hercules theme as an invitation to explore the varieties of violent gesture. Lambert Lombard, for example, sketched a series of sixteen Hercules figures - looking up in astonishment, swinging a club, collapsed on the ground.

God the Father with Angels
God the Father with Angels by

God the Father with Angels

The figures in this drawing indicate the influence of Raphael and his circles.

Self-Portrait
Self-Portrait by

Self-Portrait

This artist inspired dithyrambs from both of the great 16th-century historians of art, Giorgio Vasari (“Of all the Flemish artists I have named, none is superior to Lambert Lombard of Liege) and Karel van Mander (“One can confidently rank him among the best Netherlandish painters, past and present”). A painter and poet, archeologist and antiquarian, and an expert on architecture and perspective, Lombard was the head of a large studio.

The Miracle of the Loaves and Fishes
The Miracle of the Loaves and Fishes by

The Miracle of the Loaves and Fishes

Although he was born in Li�ge and also worked there, Lambert Lombard was an important figure in the development of the Antwerp School of painters. He lived in Rome for two years, and was a passionate archaeologist, art historian and man of letters. It was his erudition and knowledge of Italian art that attracted gifted young artists like Frans Floris and Willem Key to become his pupils. Both of them were to continue their career as artists in Antwerp, where they played an important role, especially Floris. Among the few works by Lombard that we know, The Miracle of the Loaves and the Fishes is generally regarded as one of the most important. The varied pleats and folds of the costumes derive from the language of form of classical antiquity which inspired Renaissance artists, while the landscape remains firmly in line with Flemish tradition.

The Miracle of the Loaves and Fishes (detail)
The Miracle of the Loaves and Fishes (detail) by

The Miracle of the Loaves and Fishes (detail)

The Miracle of the Loaves and Fishes (detail)
The Miracle of the Loaves and Fishes (detail) by

The Miracle of the Loaves and Fishes (detail)

Triptych
Triptych by

Triptych

This is an early work by Lambert Lombard, probably dating from just before his celebrated altarpiece panels for the Saint-Denis retable done circa 1533.

The central panel of the triptych represents the Adoration of the Magi, the left inner wing the Adoration of the Shepherds, while the right inner wing the Massacre of the Innocents. On the outer wings (not shown) the Theological Virtues are depicted.

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