LOUTHERBOURG, Philip Jacques de - b. 1740 Strasbourg, d. 1812 London - WGA

LOUTHERBOURG, Philip Jacques de

(b. 1740 Strasbourg, d. 1812 London)

Alsatian painter, illustrator and stage designer, active in France and England. Loutherbourg’s father, Philipp Jakob (1698-1768), was an engraver and miniature painter to the court of Darmstadt. In 1755 he took his family to Paris, where Loutherbourg became a pupil of Carle Van Loo; he also attended Jean-Georges Wille’s engraving academy in the Quai des Augustins and Francesco Casanova’s studio. Wille directed Loutherbourg’s attention to 17th-century Dutch landscape artists, such as Philips Wouwerman and Nicolaes Berchem, and in 1763 Denis Diderot noticed the inspiration of the latter in Loutherbourg’s first Salon exhibit, a landscape with figures (Liverpool, Walker Art Gallery). In this and other works, focus is on the foreground figures, which are framed by natural formations that occasionally fall away to reveal distant horizons. This informal style found favour with the French public; Loutherbourg’s vivid, fresh colour and ability to catch specific light and weather conditions made the pastoral subjects of François Boucher and his school seem contrived and fey. Rather more romanticized were Loutherbourg’s shipwreck scenes (e.g. A Shipwreck, exh. Salon 1767; Stockholm, Nationalmuseum), inspired by Claude-Joseph Vernet, and pictures of banditti recalling Salvator Rosa. Loutherbourg became the most prolific painter to exhibit at the Salon between 1762 and 1771. In 1766 he was elected to the Académie Royale de Peinture et de Sculpture and nominated as a Peintre du Roi.

A Winter Morning, with a Party Skating
A Winter Morning, with a Party Skating by

A Winter Morning, with a Party Skating

Clair de Lune (Moonlight)
Clair de Lune (Moonlight) by

Clair de Lune (Moonlight)

This painting was executed during the artist’s stay in England. It is signed and dated lower left: P. J. LOTHERBOURG / 1777.

Coalbrookdale by Night
Coalbrookdale by Night by

Coalbrookdale by Night

In the eighteenth century interest grew in wild, untamed nature, the Scottish high moors or the mountain chains of the Alps - or dramatic scenery that had witnessed horrors and disasters. The French artist Claude-Joseph Vernet painted storms at sea and shipwrecks in this spirit. Philip Jacques de Loutherbourg proceeded from these themes until finally, in England where he settled in 1771, he began to transpose such sensational effects to depictions of industrial landscapes. Here he began to lend the new industrial plants a grandiosely sinister effect, he both demonised and romanticised them.

Rocky Coastal Landscape in a Storm
Rocky Coastal Landscape in a Storm by

Rocky Coastal Landscape in a Storm

The painting depicts a rocky coastal landscape in a storm with a shipwrecked sailing boat and people in distress clinging onto a rock. It signed and dated lower right: P.J. de Loutherbourg 1771.

Suggested listening (streaming mp3, 10 minutes):

Antonio Vivaldi: Concerto in E flat major RV 253 op. 8 No. 5 (Storm at sea)

Seascape with Sunset
Seascape with Sunset by

Seascape with Sunset

In this painting Philippe Jacques de Loutherbourg who modelled himself on the marine painter Claude Joseph Vernet. The entire left half of the painting is taken up by craggy, towering cliffs with a fortress set prominently on their steep slopes and by a distant town. On the right-hand side, there is a view of a Dutch frigate, behind which the seascape dissolves in the hazy southern atmosphere and the setting sun. In the foreground, a number of fishermen, engaged in various activities, give the painting the necessary natural touch.

Shepherd and Shepherdess Dancing
Shepherd and Shepherdess Dancing by

Shepherd and Shepherdess Dancing

The painting depicts a scene with a shepherd and a shepherdess dancing amidst their flock in a landscape with other peasants providing music.

Suggested listening (streaming mp3, 13 minutes):

Franz Schubert: Der Hirt auf dem Felsen (The Shepherd on the Rock) D 965

Shipwreck
Shipwreck by

Shipwreck

In this painting Loutherbourg combines the drama of a seastorm as seen through the eyes of the Dutch marine painters, particularly Ludolf Backhuysen, with decorative elements from French landscape painters, particularly Claude-Joseph Vernet.

Travellers at a Well
Travellers at a Well by

Travellers at a Well

This early work by the painter, depicting travellers with hounds and heavily laden mules at a well, reveals his interest in Dutch seventeenth-century masters such as Nicholas Berchem and Philips Wouwerman.

The canvas is signed and dated lower right: P.J. de Loutherbourg 1769.

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