MACDONALD, Lawrence - b. 1799 Bonnyview, Findo Gask, d. 1878 Roma - WGA

MACDONALD, Lawrence

(b. 1799 Bonnyview, Findo Gask, d. 1878 Roma)

Scottish sculptor. He was one of the leading Scottish sculptors of the 19th century, and one of the last skilled practitioners of the Neoclassical style in Rome.

He studied at the Trustees’ Academy in Edinburgh, before travelling to Rome, where he became one of the earliest members of the British Academy of Arts. Returning to Edinburgh in 1826, he went on to sculpt likenesses of the leading lights of the city’s scientific and literary establishment. He had a successful exhibition in London in 1831.

Macdonald returned to Rome in 1832, remaining in the Eternal city for the rest of his career, where he became the favoured portrait sculptor of visiting Grand Tourists, and, later, members of the American elite. In 1850 he executed his most celebrated portrait, the statue of Emily, Countess of Winchelsea and Nottingham (Victoria and Albert Museum, London).

In 1867, Macdonald was made an honorary member of the Royal Scottish Academy. He exhibited regularly at the Royal Academy in London, and at the Royal Scottish Academy in Edinburgh. He also showed works at the Great Exhibition of 1851. Prince Albert was one of his patrons, and he executed ideal sculpture for Osborne House on the Isle of Wight.

During his lifetime, sculptures by him could be found in the homes of leading members of Britain’s aristocracy, including those of the Dukes of Northumberland and the Earls of Aberdeen.

Monument to Emily Georgiana, Lady Winchilsea
Monument to Emily Georgiana, Lady Winchilsea by

Monument to Emily Georgiana, Lady Winchilsea

Lady Winchilsea (1809-1848) died prematurely, and is portrayed in an elegant Neo-classical style, the poetic inscription evoking the pathos of her early death. This monument is one of Macdonald’s most highly regarded sculptures, and exemplifies the classicising style in sculpture, which continued well into the mid 19th century.

This monument is from the ruined church of St. Mary, Eastwell, Kent, the south porch.

Monument to Emily Georgiana, Lady Winchilsea (detail)
Monument to Emily Georgiana, Lady Winchilsea (detail) by

Monument to Emily Georgiana, Lady Winchilsea (detail)

Venus
Venus by

Venus

The composition of the Venus is derived from the celebrated Tauride Venus of Greek antiquity, known from a 2nd-century AD Roman Imperial copy in the Hermitage, St Petersburg. Whilst ideal works such as the present Venus are relatively rare in MacDonald’s oeuvre, given his popularity as a portraitist, his serene Neoclassicism lends itself perfectly to the genre.

The statue is signed and dated: L. MACDONALD. FECIT / ROMA. 1857.

Venus (detail)
Venus (detail) by
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