MARIO DEI FIORI - b. 1603 Roma, d. 1673 Roma - WGA

MARIO DEI FIORI

(b. 1603 Roma, d. 1673 Roma)

Mario dei Fiori (originally Mario Nuzzi), Italian painter. He was the first and most famous Roman painter to specialize in flower-pieces and one of only four still-life artists included by Leone Pascoli in his collection of artists’ biographies. The early sources and old inventories attribute many flower paintings in distinguished Roman collections to the Caravaggesque painter Tommaso Salini, and since the 18th century Mario’s name has been linked with his, and it has been assumed that he trained with Salini. This apprenticeship is difficult to document, yet a comparison of Mario’s pictures with inventory descriptions of works by Salini confirms that Mario was influenced by his art. To the minute observation of various kinds of flowers, Mario added a refined sense of design and an interest in effects of light, still linked to Caravaggio in the use of a dark background. He also responded to the art of the Neapolitan flower painter Paolo Porpora, who was in Rome from the early 1650s, in the service, as was Mario, of Cardinal Flavio Chigi. He painted the flowers on several paintings by Carlo Maratti, such as the Adoration of the Magi in the Hermitage, St. Petersburg.

He was very successful and his name was given to a Roman street in which he lived (close to Piazza di Spagna).

A Vase of Flowers
A Vase of Flowers by

A Vase of Flowers

Flower Still-Life
Flower Still-Life by

Flower Still-Life

The painting depicts a still-life of carnations, lilies, peonies, irises and other flowers in stone urn on a pedestal.

Suggested listening (streaming mp3, 7 minutes):

Piotr Ilyich Tchaikovsky: The Nutcracker, ballet suite, op. 71, Waltz of the Flowers

Flowers in a Vase on a Stone Ledge
Flowers in a Vase on a Stone Ledge by

Flowers in a Vase on a Stone Ledge

The sole aim of the layout of this bouquet on a stone tabletop, is to prominently display a wide variety of flowers. The abundance out of which a rose, narcissi, tulips, anemones, jasmine, carnations and, at the top, a branch of passion-flower materialise, does not in any way detract from our viewing, as each flower is different from the others, in both form and colour. The painter depicts pistils, open and closed petals, stems curling in on themselves, and backlit foliage with an entirely naturalist precision. The gaps between the leaves allow the warm browns of the backdrop to filter through, in opposition to the cold greens of the richly decorated metal vase and of the foliage of the foreground.

Mirror with Three Putti
Mirror with Three Putti by

Mirror with Three Putti

Portrait of Mario Nuzzi at the Easel
Portrait of Mario Nuzzi at the Easel by

Portrait of Mario Nuzzi at the Easel

Mario Nuzzi, called Mario dei Fiori, was the leading specialist in the genre of flower still-lifes, active in Italy in the seventeenth century. He executed the present painting, along with a cycle of four canvases depicting the Seasons, for Cardinal Flavio Chigi. These paintings are characterized by a sublime pictorial quality and the perfect balance between still-life elements and figures. The painter was assisted by five of the era’s talented history painters, in the case of the present painting, by the gifted Florentine Giovanni Maria Morandi (1622-1717).

Tancred and Erminia, Surrounded by a Garland of Flowers
Tancred and Erminia, Surrounded by a Garland of Flowers by

Tancred and Erminia, Surrounded by a Garland of Flowers

The subject is taken from Torquato Tasso’s epic poem Gerusalemme Liberata (cantos 6 and 7) and depicts the Princess Erminia of Antic discovering the wounded Accred. While the garland of flowers is typical of Mario’s style, the figures have been traditionally attributed to Andrea Vaccaro.

Tancred and Erminia, Surrounded by a Garland of Flowers (detail)
Tancred and Erminia, Surrounded by a Garland of Flowers (detail) by

Tancred and Erminia, Surrounded by a Garland of Flowers (detail)

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