MARTOS, Ivan Petrovich

This famous statue commemorates Prince Dmitry Pozharsky and the butcher Kuzma Minin, the leaders of the militia that repelled the Polish invasion of 1612. Designed by the sculptor/architect Martos, it was erected in 1818 and became Russia’s first monumental sculpture. One of the bas-reliefs shows the people of Novogorod bringing their sons to be armed - Minin famously forced the city to provide funds and fighting men by holding their womenfolk hostage. The other shows the Poles fleeing from the Kremlin, pursued by Russian troops. The pediment is inscribed with the words: “To Citizen Minin and Prince Pozharsky, from a grateful Russia”.

The statue once stood in the centre of Red Square, with the figure of Minin pointing towards the Kremlin. However, it was moved in 1930, after the construction of Lenin’s mausoleum. In fact, the reason for moving the statue was that its location interfered with Stalin’s plans for massed military parades.

This famous statue commemorates Prince Dmitry Pozharsky and the butcher Kuzma Minin, the leaders of the militia that repelled the Polish invasion of 1612. Designed by the sculptor/architect Martos, it was erected in 1818 and became Russia’s first monumental sculpture. One of the bas-reliefs shows the people of Novogorod bringing their sons to be armed - Minin famously forced the city to provide funds and fighting men by holding their womenfolk hostage. The other shows the Poles fleeing from the Kremlin, pursued by Russian troops. The pediment is inscribed with the words: “To Citizen Minin and Prince Pozharsky, from a grateful Russia”.

The statue once stood in the centre of Red Square, with the figure of Minin pointing towards the Kremlin. However, it was moved in 1930, after the construction of Lenin’s mausoleum. In fact, the reason for moving the statue was that its location interfered with Stalin’s plans for massed military parades.

The picture shows one of the reliefs on the monument.

The picture shows one of the reliefs on the monument.

This is a study for the relief in the cathedral of Kazan.

In this early work, the deceased is symbolized by an urn which is embraced by a female figure representing the mourning family. In later funerary monuments the urn is replaced by a portrait medallion.