MOEYAERT, Claes Cornelisz. - b. 1591 Durgerdam, d. 1655 Amsterdam - WGA

MOEYAERT, Claes Cornelisz.

(b. 1591 Durgerdam, d. 1655 Amsterdam)

Dutch painter, etcher and draughtsman. He was the son of an aristocratic Catholic Amsterdam merchant and moved to the city with his family in 1605. He was the most prolific of the history painters now called the Pre-Rembrandtists, whose representations of biblical and mythological narratives, as well as of more recent secular history, give particular emphasis to dramatic and psychological effects. After working initially as a draughtsman and etcher, Moeyaert soon made his name as a painter. Landscapes with animals feature prominently in both his etchings and his paintings. At first he followed the lead of Adam Elsheimer, then of fellow Pre-Rembrandtists Pieter Lastman and Jan and Jacob Pynas, eventually, in the mid-1630s, coming under the influence of Rembrandt himself.

After Rembrandt arrived in Amsterdam in 1632, Moeyaert’s style became more lively: he used more intense colour and more varied motifs and created more animated figures. He also followed Rembrandt in using red chalk. Always making fully elaborated preparatory drawings, he worked on festival decorations, religious pieces, and a few group portraits. Moeyaert taught Nicolaes Berchem and remained an influential figure for the next generation of artists.

Abraham and Lot Divide the Land
Abraham and Lot Divide the Land by

Abraham and Lot Divide the Land

The subject of this painting is the story told in Genesis 13:5-13, in which Abraham and Lot separate, as a result of the quarrel among the shepherds. The dispute ends in peaceful way, in which Abraham concedes a handful piece of the Promised Land, which belongs to him, in order to resolve the conflict peacefully.

David and Abigail
David and Abigail by

David and Abigail

Claes Cornelisz. Moeyaert was one of the most prominent of the so-called ‘Pre-Rembrandist’ school of history and landscape painters working in Amsterdam, who, during the 1620s, shook off the shackles of Mannerism and paved the way for the later achievements of Rembrandt.

The subject of this painting, the Offering of Abigail or David and Abigail, (1 Samuel. 25) is the encounter between the Old Testament king and Abigail, a woman of Judaea.

Moses Ordering the Slaughter of the Midianitic
Moses Ordering the Slaughter of the Midianitic by

Moses Ordering the Slaughter of the Midianitic

Triumph of Bacchus
Triumph of Bacchus by

Triumph of Bacchus

Claes Moeyaert belonged to the small group categorized as Pre-Rembrandtists. The group includes Pieter Lastman (c. 1583-1633), Jan Pynas (15812-1631) and his younger brother Jacob (159295-after 1656), their brother-in-law Jan Tengnagel (1584-1635), Lastman’s brother-in-law Fran�ois Venant (159091-1636), and Moeyaert.

Moeyaert early works are a ‘potpourri’ of Lastman, Jacob Pynas, and Bril. He found his speciality in the mid-1620s: small pictures of bacchanals characterized by a silver-gray tonality. The animals in his lusty processions usually have as much character as the revellers who accompany them.

Suggested listening (streaming mp3, 7 minutes):

Camille Saint-Saëns: Samson et Delila, Act III, Scene 2, Bacchanal

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