REHBERG, Friedrich - b. 1758 Hannover, d. 1835 München - WGA

REHBERG, Friedrich

(b. 1758 Hannover, d. 1835 München)

German painter, lithographer, engraver. He studied under Adam Friedrich Oeser (1717-1799) in Leipzig, Giovanni Battista Casanova (1730-1795) and Johann Eleazar Schenau (1737-1806) in Dresden and Raphael Mengs in Rome, for whom he returned to Rome to work in 1777. In 1783, he returned to Hannover, where he painted portraits for a year.

From 1783 to 1787, he taught drawing in Dessau. He became a member of the academy of art in Berlin in 1787, going on to become professor there the following year. In 1791, he went to Naples, where he worked for Lady Hamilton. In 1813, he went to London, where, in 1815, he exhibited his mythological subjects at the Royal Academy. In 1814, he made another trip to Rome, before finally settling in Munich, where, in 1824, he published Raffaël Sanzio von Urbino and some basic principles of lithographical drawings.

As a former pupil of Oeser and Mengs, he was part of the Post-Classical School and often sank into mawkish sentimentally. He continued to be of merit only as a portrait artist.

Rehberg’s oeuvre remained faithful to the formalist precepts of pictorial Classicism, which, coupled with his controversial temperament and his strict opposition to new artistic trends, determined the fate of his career: both he and his work soon fell into oblivion.

Cain
Cain by

Cain

Cain, a paradigmatic example of Rehberg’s artistic production and of the varied critical fortune of his oeuvre, is also representative of the classicism that prevailed in Europe in the late 18th and early 19th centuries. The composition presents the archetypal figure of the fratricide, with the weapon and the snake - the symbol of sin - at his feet. The figure is the main focus of attention, while the landscape in the background - showing his murdered brother Abel and their parents Adam and Eve - is the ideal setting for the human being, considered during Neoclassicism as the centre of the universe. In formal terms, the influence of classic statuary is clear in Cain’s body, while the plastic conception of the work is indebted to the dogmatic nature of literary painting in the age of Classicism.

Cain (detail)
Cain (detail) by

Cain (detail)

The figure of Cain is the main focus of attention, while the landscape in the background - showing his murdered brother Abel and their parents Adam and Eve - is the ideal setting for the human being, considered during Neoclassicism as the centre of the universe. A pictorial vindication of primeval justice is dramatized in the work by the bolt of divine lightning shredding the sky.

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