WALDNER, Hans - b. 0 Ravensburg, d. 1573 Austria - WGA

WALDNER, Hans

(b. 0 Ravensburg, d. 1573 Austria)

German cabinetmaker, born in Ravensburg, active in Austria. His first recorded work is the choir-stalls (1562-65) of the Hofkirche, Innsbruck, for which he received 30 florins. From January 1566 he received correspondence from Archduke Ferdinand of Austria (reg 1564-95) regarding work at Schloss Ambras, Tyrol, which had just been completed, relating mainly to furnishing the chapel and room panelling. However, immediately after the Archduke’s death all this woodwork was removed to Günzburg, and nothing more is known about it.

His most important commission for the court was the creation of the Fürstenchor, a projecting oratory built of wood above the left choir-stalls of the Hofkirche in Innsbruck. He worked on the two south window axes, while the northern section was completed by the joiner Conrad Gottlieb between 1567 and 1571. This splendid intarsia work is an outstanding example of Renaissance craftsmanship. The doors show the influence of the Italian grotesque style and differ from the rest of the paneling in the way the ornamentation is concentrated on the middle of the intarsia section; in the other intarsia-decorated areas perspective strapwork is used.

In 1568-69 Waldner may have worked for Georg Ilsung, at Schloss Tratzberg, Tyrol, where the ceiling of the Königinzimmer (in situ) has been tentatively attributed to him. The last work that can definitely be assigned to him is a carriage with magnificent intarsia decoration (1569-73) made for Duchess Joanna of Florence.

Interior view
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Interior view

Waldner’s most important commission for the court was the creation of the F�rstenchor, a projecting oratory built of wood above the left choir-stalls of the Hofkirche in Innsbruck. He worked on the two south window axes, while the northern section was completed by the joiner Conrad Gottlieb between 1567 and 1571. This splendid intarsia work is an outstanding example of Renaissance craftsmanship. The doors show the influence of the Italian grotesque style and differ from the rest of the paneling in the way the ornamentation is concentrated on the middle of the intarsia section; in the other intarsia-decorated areas perspective strapwork is used.

The photo shows a view of the choir of the Hofkirche.

Interior view
Interior view by

Interior view

Waldner’s most important commission for the court was the creation of the F�rstenchor, a projecting oratory built of wood above the left choir-stalls of the Hofkirche in Innsbruck. He worked on the two south window axes, while the northern section was completed by the joiner Conrad Gottlieb between 1567 and 1571. This splendid intarsia work is an outstanding example of Renaissance craftsmanship. The doors show the influence of the Italian grotesque style and differ from the rest of the paneling in the way the ornamentation is concentrated on the middle of the intarsia section; in the other intarsia-decorated areas perspective strapwork is used.

The photo shows a view of the choir of the Hofkirche.

Interior view
Interior view by

Interior view

The Renaissance interiors of Tratzberg Castle have the best-preserved room furnishings of the pre-1600 period: the K�niginnenzimmer (1568-69), with a coffered ceiling, wall paneling and biblical texts in inlay work running round the cornice, is attributed to Hans Waldner.

The photo shows the interior of K�niginnenzimmer.

Interior view
Interior view by

Interior view

The Renaissance interiors of Tratzberg Castle have the best-preserved room furnishings of the pre-1600 period: the K�niginnenzimmer (1568–69), with a coffered ceiling, wall paneling and biblical texts in inlay work running round the cornice, is attributed to Hans Waldner.

The photo shows the interior of K�niginnenzimmer.

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